Continuing the roughing in of standing figure sculpture

sculpting the standing female figure in clay for bronze ©Lori Kiplinger Pandy

This is a continuation of blocking in the standing figure on day 3. I'm using my ipad to take quick photos as I go so the quality of photo isn't very good, especially the lighting. 

After I took these photos, I raised up her support bar on the armature stand so I could add some additional clay under her feet. I felt it was too thin, plus I had decided that I wanted to have her wearing flip flops and a dress and needed room to put her shoes. Also the slightly larger base will give the piece more support - both in bronze and also when I ship the soft clay across the country back home to continue working.

I find the darker red clays are a bit more difficult to see the form over the lighter tan clays. Not everyone will agree with me on that, but it's a personal preference. 

I made many changes as I worked quickly and didn't have the opportunity to photo those changes. I cut her head off twice to raise and lengthen her neck. It was correct by the proportions of the model, but didn't feel quite right on my piece, for the attitude that I was going to convey. So those changes were quite satisfying to make. When sculpting for yourself, you're quite free to change proportions and faces and hair - something I do quite often. That's not the case for a true portrait, of course, where you need to represent the client accurately. However, as I'm deciding the course of this particular piece it's quite liberating to create her however pleases me. Tomorrow I will post photos of the piece as I've started to sculpt her clothes and  shoes - which I enjoyed tremendously.

sculpting the standing female figure in clay for bronze ©Lori Kiplinger Pandy
sculpting the standing female figure in clay for bronze ©Lori Kiplinger Pandy
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